Today’s Theme Music

I married in 1975. My wife is a year younger than me.

Enlisted in the Air Force, I was stationed at Wright-Patterson AFB in Fairborn, Ohio. I drove home to West Virginia when she graduated. I rented a small place off-base for one hundred dollars a month and she moved in with me. Marriage was agreed after a few months because then I would receive BAQ, which was an extra one hundred eighteen dollars a month. We kept a strict budget, saving pennies to buy a treat. We didn’t have a television. Our primary entertainment was playing cards and reading. We went to the library a lot. Mom eventually bought us a small black and white Philco portable television with attached rabbit ears.

We didn’t have a telephone. We’d walk downtown to a phone booth once a month and call our families collect. We wouldn’t talk long because we did’t want to run up their phone bills. Quarters and dimes were saved so we could go to the laundromat to wash our clothes. For a treat, twice a month, we would go out to Dairy Queen and have a Brazier Burger. We didn’t have a credit card because we didn’t qualify.

I had a cheap little all-in-one stereo that I received for a Christmas present a few years before, with two small speakers. The all-in-one meant it had a phonograph that played 45 and 33s, AM/FM radio and eight-track player all in one small unit. We had my old albums and eight-tracks, but didn’t have the money to buy new records or tapes, so we mostly listened to the radio.

Today’s song is from that time. Lionel Ritchie was still with the Commodores, and they were one of the hottest groups around. I used to sing this song to my wife. She loved that.

Here’s ‘Brick House’, from 1977.

National Book Critics Circle Awards Nominees

I was pleased to see the Vulture headline for the NBCCAs in my inbox:

Michael Chabon and Zadie Smith Are Among the Finalists for the National Book Critics Circle Awards

Great, I enjoy their writing. But then I read the list and was dismayed that they’d not mentioned several favorites in their headline. What, no love to Louise Erdrich for ‘LaRosa’? Or Jane Mayer for ‘Dark Money’? A few headlines mentioned Ann Pratchett but I saw no mention of the excellent Mayer and Erdrich. Then, scanning the list, I saw that Margaret Atwood was winning the Ivan Sandrof Lifetime Achievement Award. That’s marvelous, as she remains a lifelong favorite for me, but again, she’s not in the headlines.

It’s an excellent list of nominees. I need to read more books.

 

The Now

“What is time? If no one asks me, I know; if I wish to explain, I do not know. … My soul yearns to know this most entangled enigma.”

I hear you, Augustine.

Writing science fiction that involves thinking about now, the past and present, and the various theories attempting to unify and explain everything, I ended up standing my thoughts on their head: instead of believing the past exists and the future is the potential outgrowth of the past, only now exists. We create now as it happens; without us to establish order to existence and reality, there isn’t any existence and reality, except that which we know now.

Yet, in creating now, we begin creating echoes of now that drift toward the past, creating a past. We believe, therefore, it was, ha-ha. As we conceive of structure to explain what’s going on, we’re creating what’s going on, establishing it as something more substantial, as it were with the laws and rules that we believe to be immutable. As others theorize, it’s our limitations and practices that actually establishes our expectation of how time flows, and causality paradoxes.

Yes, I know, this smacks of Sartre’s POV regarding essence and existence and others’ existentialist thinking. I get a kick out of running it through my mind’s treadmills, taking it back to its ultimate point: in the beginning, there was one. The one thought of others, and the others came to be in the moment called now, and that first one was called God.

God never liked the name God, and used multiple other names as he, she, and it did the same thing with other races, species, places, times and realities, becoming the first each time, and then creating a new now from which others created a past. It was natural he/she/it would become associated with the Trickster and the Mischief Maker.

Of course, just like the Big Bang Theory of how our Universe came to be leaves us wondering, what was there before the Big Bang, we always ask, what was there before the one called God?

He/she/it always answered, “I was always energy. Then, I thought, I think, therefore I am.” Others claimed they thought of it first, and phrased it a little differently. God knew better but wasn’t worried about gaining credit. He/she/it knew that fame was as fleeting as now, as certain as the past, and as secure as the future. And yet, he/she/it knew it was a fragile response, because if he/she/it was energy back then, that’s still something, and if he/she/it is right about being the first, then where did that energy originate from which he/she/it came to be?

Ah, there’s the rub. He/she/it likes to think of themself as a nested existence, beginning with nothing, and conceiving of themself as the first particle and then doubling up until he/she/it achieved sufficient energy to perceive themself, but he/she/it stews over such an answer as much as Augustine stewed over defining time.

All this thinking about physics and now isn’t new; others have come up with various structures of a Now Hypothesis, and are attempting to prove their hypothesis. For me, it’s all just a nice little fun diversion from the serious business of novel writing.

That’s all, for now.

 

Today’s Theme Music

Maybe it’s just me, but this song is just cool.

Put this song in your head on autoplay, and you walk around feeling and acting cool. You are cool because this song has made you cool. You’re bopping your head just a little as you walk or sit, tapping your foot whenever you’re standing still.

That the group who came out with it, War, had so many hits, is amazing. I could have gone with ‘Why Can’t We Be Friends’, ‘Cisco Kid’, ‘The World Is A Ghetto’, or ‘Spill the Wine’. But I went with the cool.

Fresh out of the Peadbody Wayback Machine and 1975, (when I was celebrating finishing basic and technical training with the military, and was driving around the my first car buy, a 1968 Camaro RS*, around my first duty assignment at Wright-Pat in Ohio), here is ‘Low Rider’. 

*That’s not my Camaro RS in the set photo. My car was copper, with a black RS stripe.

I Will Do Better

I’d been reading articles on success  by Nichole McGhie at The Excited Writer, and how success is defined by Lisa Kron at Writer Unboxed, along with posts about believing in myself and being great, both by Jay Colby.

I was intimidated about trying to be great. I am intimidated about trying to be great. Who am I, to dare to think I can be great? Hell, I’m intimidated about trying to be mediocre.

I used to facilitate strategic planning sessions for U.S. Air Force units. The steps were about defining how the units viewed themselves and what they wanted to achieve. The mission was who they were and why they existed; the vision is who they wanted to be, which would be gained through their accomplishments. Goals were established and plans put into action.

Likewise, I used to write and conduct performance reports. While I’m unimpressed with the standard performance report processes and mechanisms the USAF and many corporations use because they’re rich with folly, the best part of the process for me was asking myself and my people, “What do you really to do? What do you really want to be? Who do you really want to be?”

This worked well. My teams and the individuals were stronger for the effort. The visions provided structure and discipline.

I did the same for myself for my writing endeavors. Such a vision is a powerful, sustaining force. When you’re tired, depressed, frustrated or bitter, a vision of what you’re pursuing is a magnificent catalyst for taking a deep breath, mining out some new source of energy and determination and pressing on regardless.

It’s done wonders for me. I write consistently and patiently, defining and re-defining my process as I learn. I’m pleased with myself as a writer.

I’m not pleased with myself with the business aspect of writing. As I’ve noted before, I had a vision, write a novel. Done, done, and done again and again and again. But guess what? As writers, editors, and publishers all know, writing a novel is the beginning. So while my vision was beautiful for being a writer and writer, it was not significantly developed for being a successful published writer.

I was thinking of all of this today. Using Jay Colby’s questions in his post on greatness as a starting point, I decided I would treat myself to an off-site and set aside a large part of a day to defining my vision for being a successful published writer. Along the way of thinking and deciding this, I considered my meager, weak efforts so far. They’re frankly embarrassing and depressing, yielding the results you’d expect from such half-assed mediocre work. That’ when the voice in me said, “I will do better.”

I know that voice; it’s my inner voice of determination. It’s not a wheedling, apologetic voice used while called on the carpet and groveling. It’s not a voice employed to mollify another, nor a voice of regret when I’ve been caught doing something another doesn’t like. This is the voice of one who has been down, recognized he’s down, and decided that he’s fucking tired of being down. I know this, because I’ve heard this voice before, several times in my life. Each time, though, it took a descent into a morass of doubt, self-pity and self-flagellation for me to speak and hear the voice. The difference this time is that I only usually answered with that voice only after others told me I had the potential to do more and be more; this time, I’m telling myself.

“I will do better.”

Today’s Theme Music

The Daily Commute.

The DC changed from season to season and employment to employment. Music helped pass the commute time.

Things weren’t going great in Feb, 2001. I thought I’d made a mistake in my post-military career choices. I was the sales operations manager for NetworkICE, a computer security start-up, and I just didn’t seem to fit. I’d been there about seven months, and I didn’t like it. I spoke with the guy that brought me on and told him my concerns. We addressed ways to alleviate my issues but nothing was resolved. Our meeting ended with him urging me to stay on. He couldn’t say anything more but he thought I should stay on.

So I did because I trusted him. Within a month, it was announced we were being acquired. Everything changed after that.

This song came out during that period. Driving the commute from Half Moon Bay to San Mateo, a quick jaunt up Highway 92 in the morning but a Conestoga wagon movement to return home in the late afternoon. That return trip offered a lot of listening time as we crept down the hill toward the ocean. Train was one of the big pop groups at that time, so I heard a lot of this song, ‘Drops of Jupiter’.

I enjoy the song’s verb and noun mix and the visuals they conjure.

Now that she’s back in the atmosphere
With drops of Jupiter in her hair, hey, hey
She acts like summer and walks like rain
Reminds me that there’s time to change, hey, hey
Since the return from her stay on the moon
She listens like spring and she talks like June, hey, hey

The lead singer, Patrick Monahan, wrote the song, saying in an interview that it was about his mother, who died from cancer, and that the lyrics came to him in a dream. I always associate it with my own work-related strife, which was far less dramatic, because it was a musical release from a bad work situation.

Somehow, the song seems fitting.

Dreamy Advice

Once again, my dream life has been active.

The first ‘remembered’ dream amuses me. As a loud voice spoke from some unseen space, I was told, “Drink more water.” The visual accompanying it showed me in a dark place, pissing like a race horse.

Okay, I’ll drink more water.

The other dream…hmm. I had three dreams with the same characters and message.

I was part of a group. Dressed in suits and ties, I was aware that others were present but only actually knew of myself and my leader, who was my boss, in one group. The other group was just one person, the boss, also in a business suit.

Each of these dreams were variations of the same scene and message. Each time, my group was told to report to the boss because something wasn’t going as expected. Each time, my immediate boss, in my group, would, with deadpan humor, assure the rest of us that it wasn’t anything to worry about because his boss didn’t know what was going on, and that we’re not to worry about it.

Then we would go in, as directed and meet with the boss. Dressed in a long-sleeved white shirt, his sleeves would be rolled up. He wore a tie but the tie would be loose. He would be at a desk and at once launched in a profane condemnation of what was going on, mocking our attempts to “change,” while decrying our ignorance, stupidity and general witlessness.

My immediate boss listened with aplomb and then dismissed him by saying, “You’re living in the past. You don’t know what’s going on. You will never know.” That infuriated his boss, even while it delighted me.

As I said, I had variations of this same dream three times, awakening after each time and thinking about it. I was amused by my dream’s direct approach about needing change.

It’s given me a lot to think about. Meanwhile, I need to drink a glass of water.

 

Strap It On

Well, it’s been a week since we strapped them on. I had mentioned buying them in passing about a year ago. Like a volunteer seed, it took root in my wife’s thinking. After a year, we finally  took action. Now I can provide some feedback on what a Fitbit has meant to me and my life, at least one week of it.

My Fitbit is a Charge 2, worn on my right wrist. The Fitbit informs me that I walk an average of twelve thousand steps and five miles a day. My highest miles walked were five point six, measured out in fourteen thousand steps. My resting BPM is fifty-nine, with a low of fifty-five and a high of one hundred thirty-nine, reached when I walked up the equivalent of thirteen floors of steps while doing an urban hike. I averaged seven hours and fifty-seven minutes of sleep per night, awakening three times. I’m usually restless twelve times per night, with a high of seventeen.

All interesting stuff. I’m dubious about its accuracy. It seems to think you’re sleeping if you’re reclined and not moving. But my wife and I both note, yeah, we’re in bed, but we’re not always sleeping just because we’re not moving.

I’m pretty pleased with my walking activity. We’ve endured many days in the low mid to low twenties and high teens where built up ice encumbered walking. I’m also recovering from wrenching my right knee while on the ladder, cleaning smoothie off the kitchen ceiling.

The Fitbit seems very dependent on arm movement. Don’t move your arms, you don’t get credit, it seems. It also sometimes seems to work in blocks. Yesterday, crossing the house to attend the cats, I checked my steps: twelve thousand, six hundred forty. I found the cats, petted them, provided them with catnip fixes, went around checking on doors, poured and drank some water, refilled the water pitcher, and took out the recycling. Then I checked my Fitbit.

It still registered twelve thousand, six hundred forty.

I knew I’d been moving around, and I swung my arms when I was walking, if I didn’t carry anything, so I knew – what? That the steps hadn’t registered. But was it a question of yet? 

Indeed it was. After sitting down at the computer and turning on Sneaky Pet’ on Amazon, I checked my Fitbit, and my steps had jumped. It had a full charge, done earlier that day, so I put this down to a system flaw.

Despite these things, I like the Fitbit. I installed the app on my iTablet or whatever it’s called and the two synchronize whenever they’re near one another. What I like is that it tracks and counts a great deal of information. Even if it’s rudimentary or flawed, it provides a sufficient structure to encourage me to do more and be more mindful about what I’m doing. The Fitbit buzzes every hour to remind me to move around, something I appreciate. My wife and I often make a game of that, first marching around to ‘Colonel Bogey’s March’and then chasing each other around the furniture until one of us needs to go pee.

Once I have three weeks of averages, I can establish goals to move around more. The biggest thing is that I want this as a companion, and not a master. I don’t want to become obsessed with counting steps or miles and reaching higher and higher levels, but to use it to enhance my healthy practices.

Of course, part of me thinks into the future, when the Fitbit’s technology is improved and replaced. Then I expect to find it in a drawer, forgotten, and take the opportunity to write, “Do you remember Fitbits? We used to wear them to count our steps.”

Who knows what we’ll be using by then?

 

Today’s Theme Music

Ah, something on the light side for a Sunday morning, like a little light blues. Here’s Albert Collins, ‘I Ain’t Drunk’. Enjoy the chorus and his protests woven through the song, along with some of that terrific guitar work. Maybe you know someone with Collins’ response, “I ain’t drunk, I’m just drinking.”

Why I Write

I’ve probably written why I write before, but it’s that time of year again. It seems to be some alignment of energy that is driving me to self-examination about who I am, what the hell I’m doing, and why.

In thinking about writing and writing about writing, I’ve developed greater insights into the complex dynamics of why I write. I’m still just descending from the iceberg’s tip, however. But writing helps me understand why I write. Posting about it gives others the opportunity to provide me feedback and insights, and they often help.

I write to understand what I’m thinking. That holds true through dreams, essays, business cases, white papers, theme papers, fiction, whatever you want to name, throughout my life. My thinking is fast and chaotic, like torrents of fast-moving water coming off of mountains of melting snow. Writing adds order and structure.

I write because I’m arrogant and love to read. Once upon a time, I read some mediocre science-fiction and fantasy, and scoffed, “Hah! I can write better than that.” I’m still trying to prove that I was right about that. But I also write because I admire the writers and their works that I’ve read, the people who grant insights into history, society, personal lives, technology, dreams, who imagine what else might happen, or could have happened. I envy them. I want to be like them.

Writing is much more challenging for me than it appears on the outside. That’s true of many activities, right? It depends upon where you want your activities to take you. I want my activities to take me to a place where others enjoy my writing as much as I do. But to get to that level takes discipline and effort in multiple areas. It takes an application of time, thought and energy.

Which is another reason for why I write: it’s a challenge and a pleasure. I’m a creative person. Writing provides an outlet and structure for my creativity. My science, engineering and observations may be wrong, but it’s logically consistent in my writing world. It is because I enjoy exercising my intelligence to come up with logical, consistent solutions.

Of course, the danger is that I’m writing in solitude. I’m in the cave, attempting to describe the world from the shadows on the walls cast by the fire burning behind me. I’m limited in what I see and comprehend, and I can’t know what I’ve done wrong until I let others see it. But I’m too fragile to permit easy access.

My writing activity is also addictive. My wife, family, friends and acquaintances appreciate that I’m an aspiring writer, and respect the time and rituals I’ve developed to write and pursue my dreams. The writing when it goes well, as it often does, boosts my self-image, as does the feedback I receive not just for what I’ve written, but for my dedication in trying to write.

Tangibly, writing becomes tremendously rewarding, especially fiction writing. There is nothing more satisfying to me than trying to understand, why the fuck did that happen and what the fuck comes next in the piece of fiction I’m writing, and then being able to conceive and write of those answers and end up with completed scenes, chapters and books. These endeavors deliver such a high when it all works out, and I sit back and congratulate myself for accomplishing something.

And that’s why I write, too. Because this is a complicated world where masses of people struggle and suffer in silence. Writing allows me to be someone more unique, someone who is managing to do something to help me rise above the morass of the common and ordinary. It gives me direction and purpose.

And that’s why I write, at least here, today, now. Perhaps someday I’ll manage to see more of the iceberg.

When I do, I’ll be sure to write about it.

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