Aftermath

I arrived at the coffee shop. Only two tables were available. I grabbed one. An outlet wasn’t available but that would be okay. I could type until my battery cried uncle and then plug in or pack up.

Meanwhile, I launched into writing and editing. It was like working a loom, adding sentences, going back and changing some, back and forth, back and forth. Then, yes, boom – I checked and confirmed, the battery was getting low. As I noted the low level and wondered why I hadn’t been notified, the computer issued its low battery warning.

A dilemma loomed. Stop for the day or keep going? I’d completed sixteen hundred words, a decent day when including the editing aspect. But I felt there was more in me. I didn’t want to push but I did’t want to let it go.

So I scoped the cafe. Tables with outlets were available. I made the move and continued.

Glad I did. I didn’t expect the changes in the story arcs that took place. The characters again understand the story better than me. I thought the road through the forest I followed was clear about its path but somewhere amidst the turns, I ended up taking a sharp right that delivered me onto a new path. I ended up where I didn’t expect, yet, it completely and perfectly fit into what was supposed to be happening with the story.

It was like mental sleight of hand. “How…?” I asked myself.

I didn’t know; it’s not where I expected to be. Yet the character hadn’t jacked the novel; I was still going toward the same climax, but on a different path.

Then I worried. If I took what the characters clearly saw as the correct path, was it too damn predictable? Would readers be disappointed?

I don’t know. I think I’m too deep into the forest of words and activity to assess and understand. Just go with the flow and finish the novel.

And now, time to stop. It turned out to be one of those finest kinds of writing sessions, when you’re not an outsider typing up dictation, but a participant hiding out with the characters, furtively looking over their shoulders and listening, and writing like mad.

It Gets Exciting

I’ve been struggling with Handley, which is uncharacteristic of me. In a key scene, a pirate vessel, the CSC Narwhal is going after the stasis ship, the River Styx. I knew the scenes, having visited them in my head, writing some aspects in my mind. I’d been looking forward to writing the scenes because I knew what a keystone scene they were to the novel’s arch. Yet, they suddenly fell through a hole in my brain in the last three days. I’d bring the doc up to write once, twice, thrice, and then wrote or edited other scenes and chapters.

Yesterday, I’d had enough. I spent several minutes castigating myself. Has to be done, you idiot. Just write it, I told myself. Suspecting I was worried about how it would go or that I was overthinking it, I told the writer, just fucking do it. Get it done.

I began just writing the essence of what was supposed to be happening. It’s been so long since I’d struggled to write as I did then. The process felt like I was plucking eyebrow hairs.* My God, those were clumsy, awkward, lifeless sentences. The writing was so dense and abstract, and not in an interesting Kafka way. After sipping coffee, I walked away, shaking my head at myself, appalled by the moribund words on the screen. Then, deep breath, try again.

Thank God the cafe  was almost empty and nobody was near me. I’d hate to have to apologize to others for the awful smell that the shit on the screen was surely exuding.

Work it, work it, work it. Ever shape model clay or work bread? Felt exactly like that. This was a lump. I kept kneading the scene, trying to form something out of it. After twenty to thirty minutes of this, the scene suddenly became emerging from the material. After an hour, two hours plus into the writing session, I had two pages written.

That was all.

But it was enough. Showering and shaving today, I envisioned the rest of the scene and the chapter’s subsequent scenes. They grew alive in my mind. I became eager to write. I hurried through feeding cats, harvesting potatoes from the litter box, cleaning up in the kitchen, and getting ready to leave. Consumed by the mind writing, I forgot to put my Fitbit back on after my shower, misplaced my glasses and vacillated about what walking shoes to wear. My focus was too far into the novel.

But here I am, quad shot mocha with fine latte art by Meghan at hand, at the coffee shop, ready to rock.

Time to write like crazy, at least one more damn time.

 

*NOTE: Yes, I have plucked my eyebrows, or tweezed them, if you prefer. Once upon a time, I was said to resemble a smaller version of Tom Selleck when he was doing ‘Magnum, P.I.’ If you recall him from then, he had a uni-brow going on; so did I, and my wife convinced me to pluck it because she was certain Tom Selleck plucked his.

Yeah, that was long ago.

Today’s Theme Music

Today’s song is another one of those heard while racing around the SF Bay area on the work-shop-errands-eat-sleep-repeat treadmill. Interested in words and unfamiliar with the artist, I kept listening for it and searching for information about her. Of course, this was around 2005. Google and other search engines were strong. They were less about shopping and marketing and more about getting information back then.

I’d already learned the singer-songwriter was Scottish and that this was her debut. Eventually, I found more about the lyrics and then discovered her comments about them.

She said, “’Black Horse’ is inspired by old blues, Nashville psycho hillbillies & hazy memories,” says KT. “It tells the story of finding yourself lost on your path, and a choice has to be made. It’s about gambling, fate, listening to your heart, and having the strength to fight the darkness that’s always willing to carry you off.”

Ah. I get that from the song. Hope you do, too. Here is KT Tunstall with ‘Black Horse & the Cherry Tree’. 

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