Protocol Three

Pram has declared Protocol Three. You know what that means: the sierra is encountering the rotating blades.

Meanwhile, Handley and company have found their target. Fermenting in my brain cells for several weeks, I’m looking forward to writing these scenes; their plans are going disastrously awry, and they’re ignorant of what is about to happen. Love writing my characters into disasters and confrontations. Some, like Tang’s confrontation with Pram, I never see coming. Such surprising encounters are engaging, especially when they organically develop from just letting the characters carry the scene and be themselves. And then, what happened next astonished me but made absolute sense from the characters’ POV. Very cool.

After this is written, it’s back to Forus Ker, Seth Nor and the Humans, where they’ve been killing Brett, and Philea and the Wrinkle, where she’s meeting Forus Ker and Seth Nor. I can see and hear these scenes so clearly, I’m impatient to write them, but I don’t want to be hasty. Relax, I order myself; they’ll be written.

The common rule of thumb for movies is that one page equals one minute of screen time. That’s what I learned but The Working Screenwriter says, “Not so,” and gives specifics of movie scripts and running times. Anyway, I’ve noticed that scenes and dialogue take place in my head very quickly. I’ll visualize and realize them in thirty to ninety seconds.

Great, right? So they all pile on, scene after scene after scene. But writing these thirty to ninety second one bites takes a few days of writing and editing, and typically require two or three days. One, I’ll often write to capture the essence. Then I return to pad it with relevant details. In parallel, I’m editing and revising for pacing, grammar, sentence structure, et cetera. Then, I also find that something realized during the writing of such scenes trigger an impact on another scene. Sometimes that scene is already written and needs revision to add the tidbit.

The other scenes then must be held in my head or scribbled onto a notebook page, or have a brief entry typed up in a doc. All those paths fortunately work for me. Sometimes one of them stumbles but I find that with a little work, they start making sense again.

So much to write, so little time. Three…two…one. Time to write like crazy, at least one more time.

Today’s Theme Music

A new FM radio station was launched in SF when I lived in the area. Part of a national development, the station was called Alice, KLLC. They played what I guess would be called light adult contemporary music.

I liked KLLC, especially the morning show, with Sarah and Vinnie. That abruptly ended one morning; Vinnie was gone.

Anyway, a song that received a lot of air time was ‘Cornflake Girl’ by Tori Amos. The song came out in 1993. I retired from the USAF in 1995 and started working for an startup coronary angioplasty company. Hearing this song one day at work, I asked several twenty-somethings that I worked with, “What’s a cornflake girl?” I didn’t know. They snickered and didn’t answer.

I didn’t know what a raisin girl was, either, but didn’t bother asking that trio of information, the only young folks that I worked with or knew at that time. This was before Google and the net as we know it today. Looking it up or finding the answer was difficult. It pissed me off that they wouldn’t answer. Oh, well.

Well, now I know.

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