A Dark & Stormy Night

It was a dark and stormy night.

My psyche has been talking to me for the last few days. With some reluctance, I recognized what my psyche was telling me. Being a stubborn soul, I preferred ignoring my psyche for as long as I could. Yet, I’d come to a fork. I could continue to the right, along the path I’d been following. I already knew that was rocky. The going was treacherous and uneven. When it comes to writing, following a treacherous and uneven path is mentally and emotionally exhausting, especially if you know that following the other path would be a smoother journey. But —

Exceptions exist. But, the other path was the one my psyche was telling me to take. But the other path didn’t directly relate to the novel I was writing.

Yet it did; I needed to know what happened with Phileas and Brett. Generally, I knew Phileas is a highly respected scientist. Working for a major corporation, she led a team searching for the latest God Particle, a project known, with matter-of-fact drama, as the God Particle Search Project. Significant progress was slow, so another project, private and personal, the stuff of her childhood dreams, drew her.

It was a dark and stormy night.

Phileas first read those words when she was two, but once they were read, everything was changed. A Wrinkle in Time’, by Madeline L’Engle, was the first book she read more than once, and in fact, went on to read a dozen more times. By the third time, she knew all the words and didn’t need to read the book, but settling into bed and opening up a screen above her face soothed her. Being in bed and secretly reading under the softly glowing faintly blue panel was cozy. It was a romantic escape for someone who was otherwise ruthlessly determined, logical, practical and mathematical. In fact, it was a dark and stormy night on Castle Prime, while visiting, when the weather control system in one of the domes malfunctioned, that crystallized the epiphanies that initiated her turn toward her personal project.

It was a dark and stormy night. 

For me to understand what happened with Brett and Phileas, I needed to know more about Phileas and then learn about what happened with her and Brett. I knew many basics. Brett had a son. He didn’t know he had a son. The son, Kimi, had been illegally conceived.

Kimi worked for Phileas on the GPS Project. Brett was a fourth-waver, inhabiting newly terraformed planets on the corporation’s behalf to prove it was safe. Kimi’s ‘fake’ father had manipulated the genetic maps related to Kimi and Brett. The systems had caught the errors but flawed results ended up reversing the maps so the systems thought Kimi was Brett and vice-versa. That’s the basis of the first novel, ‘Returnee’, available on KDP.

While writing ‘Returnee’, I established that the systems thought Brett was Kimi. What I didn’t establish but I knew was that as part of that, Phileas had inadvertently taken Brett when she thought she was abducting Kimi. She took Kimi, along with the rest of her team, because she’d traveled into the future. While in the future, she’d learned things, and now she was covering her trail, and attempting to keep others from following her path – because she knew, in science and technology, that major discoveries like hers rarely happen without like discoveries being made elsewhere.

The result was that the GUFIN virus was created and brought back from the future. And this is where the next novel, ‘Long Summer’(the work in progress) comes into play. To know what happened with Brett, Phileas, the GUFIN virus, and the Travail, I had to know what happened when Phileas abducted Brett and wiped out his knowledge of what had happened.

And that’s what my psyche was ordering me to do: write that out so I fully understood it. Naturally, I had to write it out in story form, because I think in story-telling form when I’m writing fiction. So, thinking about Phileas and her background, and her literary hero, Meg Murry from ‘A Wrinkle in Time’, I was able to begin:

It was a dark and stormy night.

As I knew, the first line is actually homage to another novel — and Snoopy, of course, loves it — but once I wrote it, Phileas leaped to life.

Time to shut down and call fini to another day of writing like crazy. No words were written in the novel today, but so much progress was made.

Who?

Who is she?

Always in purple pants with an orange vest, normally with sunglasses, always with a ball cap, running down the street, arms and legs pumping with oil well regularity.

Who is she?

Running in snow, rain and sunshine, up this avenue, down that street, past that alley, running the streets and sidewalks in every part of town.

Who is she?

Always strolling the sidewalks, her hands in gloves, sunglasses hiding her eyes, a floppy knitted green hat on her head, a long grey covering her short body and big, loose, untied boots on her feet, no matter what the weather.

Who is he?

Reading another worn paperback, drinking a cup of coffee, always sitting at the fourth stool at the bar, his back to the room, never speaking with others, staying for two hours and then walking briskly away without looking back.

Who is he?

Walking in with a laptop case hanging off his shoulder, hat on his head, sunglasses on his eyes, typing on his laptop and staring out the window

Who are they?

 

Your Good Taste

I think Ira Glass captures the truth between effort, taste, and beginning in this video, ‘Nobody Tells Beginners’. Gallery posted this as encouragement and insight for the NaNoWriMo participants, but wherever you reside on the writing spectrum, you can learn from this video. It’s about having courage and patience, enduring setbacks, and persevering.

So here, it is.

 

Today’s Theme Music

When a man is running from his boss
Who hold a gun that fires “cost”
And people die from being cold
Or left alone because they’re old
And bombs are dropped on fighting cats
And children’s dreams are run with rats
If you complain you disappear
Just like the lesbians and queers
No one can love without the grace
Of some unseen and distant face
And you get beaten up by blacks
Who though they worked still got the sack
And when your soul tells you to hide
Your very right to die denied
And in the battle on the streets
You fight computers and receipts
And when a man is trying to change
But only causes further pain
You realize that all along
Something in us going wrong…

You stop dancing.

Many of us contemplate our lives and wonder, will it ever become better? W’re always trying to define what ‘it’ is – equal rights, fairer pay, less war, less poverty, less starvation and disease. As we watch the political firestorm intensify in the United States and other countries, we wonder, how did we arrive at this moment. It’s educational to look back on songs like the above. These battles have been going on for as long as humanity.
Progress is being made. It used to be that such problems and challenges were accepted as ‘that’s the way it is’ or not acknowledged as issues. It used to be that some humans could hold other humans as slaves and decree their fate. Women were held as inferior. So were people who weren’t like us, whether it was by religion, skin color, sexual orientation, or their ethnicity or cultural heritage. We are moving on to equal rights and better lives for all, but it’s a shift as slow as the Earth’s tectonic plates.
‘Helpless Dancer’ is a song by The Who. It was included on ‘Quadraphenia’, an album that was released in October, 1973. Speaking to my teenage angst and frustration and laden with drums, guitars and angry lyrics, it became one of my it albums, alongside ‘Dark Side of the Moon’ by Pink Floyd.

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